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Es una de las obras maestras indiscutibles del britpop y un disco fundamental del pop alternativo de los años 90. La voz y la pluma de Jarvis Cocker actúa como un cronista agudo, teatral y sarcástico de la sociedad británica, con letras que retratan la alienación, el voyeurismo, la torpeza sexual y las tensiones de clase, Pulp se posicionó desde los márgenes, celebrando a los marginados y a la clase trabajadora con una mirada inteligente y cínica,su musicalidad combina melodias pop muy pegadizas con arreglos de sintetizadores, toques de new wave y un estilo teatral que lo hace sonar más sofisticado que gran parte de sus contemporáneos.Es una obra maestra redonda: equilibra un éxito masivo con letras profundas y ácidas, no tiene canciones de relleno.

beautiful, personal. well worth a listen

What a beautiful example of how you can be rock stars and still have something meaningful to say. Especially in the '80s, when so much of rock music was about image, excess, and larger-than-life personalities. I had always known about The Replacements, but never really explored their music until I started collecting vinyl. Now, I can honestly say they're becoming one of my favorite bands of the decade. I can hear so much of their influence in the alternative rock I grew up listening to in the late '90s. There's something special about their combination of raw, rough-around-the-edges rock and genuinely heartfelt songwriting. They could be loud, messy, and rebellious one minute, then turn around and write something incredibly honest and moving. It's a shame it took me this long to fully appreciate them. If you listen to nothing else, put on "Androgynous." That song alone tells you everything you need to know about what these guys were about.. Just a fantastic band with a lot more depth than you might expect or have been told

it's a shame that Ebo has somewhat been lost to time, because for me, his music is about as good as it gets. I discovered him early in my vinyl collecting journey, and he completely changed the way I listened to and explored music. His sound opened the door to so many artists and genres I might never have discovered otherwise. It's this incredible blend of big band jazz, Afrobeat, and funk, all held together by some seriously infectious beats. The horns are rich and powerful, the rhythms are tight, and everything just fits together. Most people know Fela Kuti, but I've always found Ebo's music to be a little more focused, polished, and concise. Not necessarily better, just a different approach that really appeals to me. There's so much going on musically, yet nothing ever feels excessive or out of place.

About as cool as it gets right here. Atmospheric '70s jazz with a mix of acid jazz, electric funk, and psychedelic influences. WAY ahead of its time. If you're a fan of Herbie Hancock's *Head Hunters*, you'll love this. I was actually recommended this group while buying a St Germain record, and that's another great comparison. It's the perfect album to throw on at a dinner party or while relaxing on the porch with a drink. Laid-back, funky, and effortlessly cool. SO good.*I used AI to help formalize my thoughts better here*

This is classic 2010s electronic indie pop, with LCD Soundsystem being a great comparison. I consider it one of the more underrated albums of its era. It's a cohesive, well-produced record that feels fully developed from start to finish. The catchy melodies, driving rhythms, and occasional experimental beats give the album plenty of character. Overall, it's a solid, upbeat album that stays interesting and consistent all the way through. *I used AI to help formalize my thoughts better here*

Ahead of its time

Nice casual album with plenty of inspirations from RnB, rap, soul. Love the sample from glory box in Nothing burns like the cold !

I keep coming back to this album. Sturgill's voice is always iconic but the band is doing something new here. Crazy grooves throughout the whole thing -- it's got this funk to it that gets in your bones. Also - the cover of Eddie Murphy's 1985 smash hit Party All the Time?!? Out of control.

Es una obra maestra absoluta del género shoegaze y del dream pop, aunque en su momento recibió críticas duras de la prensa musical de la época, su atmósfera y sonido combinan capas densas de guitarras con reverb,melodías hipnotizantes y las voces etéreas de Rachel Goswell y Neil Halstead.Fue grabado en un momento de tensión personal para la banda (incluida la ruptura sentimental entre Goswell y Halstead) y tras el rechazo inicial de maquetas por parte de su discográfica Creation Records. Incluso contó con la colaboración de Brian Eno en un par de pistas ("Sing" y "Here She Comes").Logra un equilibrio ideal entre la experimentación con texturas sonoras ruidosas y una sensibilidad pop melancólica que muy pocas bandas han podido replicar.

WOW what a fun ride this is. Never a dull moment never a missed opportunity. Well done and well produced. Reminds me of old school blues rock. Very Stevie Ray Vaughn maybe a little Howlin' Wolf.

Yeah, just really good stuff here. Like iI said about them in other reviews....The cure/New order meets Real Estate and slowed down LCD soundsystem

One that continues to grow and linger with you. The boys seem like they cannot be stopped and keep innovating.

Still fun and groovy, but not my top record by Mt. Joy.

I don't have the same emotional connection to this record as I do with their debut album, but this is still a great record! Laid back vibes and still rock hard. I would love to see them live.

Love this album! Chill , groovy and easy to listen to. Silver Lining will forever be one of my favorite songs of all time.

Another great album! Classic 2000's country that stands the test of time and still rocks today.

It's good, but it feels like they've take n a Coldplay/U2 pill. Or heading towards and Arctic Monkeys shaped hole. I guess I want a few more rough edges, and variety