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Light up, pour a glass, and enjoy!

Excellent beach music from down under

Ethiopian and Eritrean jazz that will blow your mind.

Listening to this on repeat nowadays. Just getting caught up with how good it is after missing out on all the hype back in the day.

The album picks up where the eponymous ep leaves off. It is both a continuation and its own story. The way the boys share lead and harmonize is so special. I'm lucky to have caught the live show in Pittsburgh, which was amazing.

The harmonies. Oh my god. So good. I love this EP and every track is a perfect fit to the whole gem of a musical experience.

A 81 year old heart surgeon with soul. My god his voice is like melting butter on the very best sourdough you've ever tried.

Bloc Party tries to make a concept album about the rise and fall of a relationship. Turns out a 23 year old pop star named Olivia Rodrigo beat them to it. OR3 is better than this in almost every way possible, better lyrics, better synths and guitars and better vocals. Next to Rodrigo’s album, this “edgier” take on modern relationships doesn’t stand a chance. Bloc Party are one of the sad cases where they have never surpassed the greatness of their debut album. I suggest you go listen to that instead.

obra maestra indiscutible del rock alternativo y el power pop de los noventa, es un gran album que combina melodias perfectas,Combina guitarras distorsionadas con ganchos pop gigantescos inspirados en los Beach Boys y Cheap Trick, incluyendo las letras frikis de rivers cambiaron la imagen del rockstar también como una persona friki, nerd y nerviosa es lo que hace el blue album junto pinkerton mis álbums favoritos de weezer.

A crowd-pleaser that works in most situations – most people will compliment you for putting it on. Decades later, this album still feels fresh.

Great record, please listen to Simple Song #3

I was there, and it remains one of the best concerts of my life. Their first ever show in Portugal had that rare feeling that something special was happening in the room. The connection between the band and the crowd was incredible, feeding each other from beginning to end. DMB were tight, adventurous and clearly enjoying themselves. Live Trax Vol. 10 is more than a great live album for me — it’s the recording of a night I’ll never forget.

Samuel Úria has that rare ability to sound deeply Portuguese without ever feeling old-fashioned. 2000 A.D. is clever, intimate and beautifully written, mixing folk, rock and sharp songwriting with his unmistakable voice. The lyrics deserve attention: funny, poetic and sometimes uncomfortable. A record that gets better with every listen. One of the best acts right now in Portugal

Mahler’s symphonies feel less like music and more like entire worlds. Huge, dramatic, beautiful, sometimes terrifying and often overwhelming. From the youthful First to the devastating Ninth, this is music about life, death, nature, love and everything in between. Not easy listening, but incredibly rewarding. What a great album

Twilight Override feels like Jeff Tweedy doing exactly what he wants, with nothing left to prove. Warm, loose, sometimes messy, but always human. Folk, country and indie rock blend naturally, while his lyrics turn ordinary life, ageing and anxiety into something meaningful. Thirty songs sounds excessive — somehow, it isn’t. My 2cts

Misha Panfilov is a hyper-productive Estonian composer and multi-instrumentalist, easily moving between jazz, experimental electronica, psychodelia, library, and more. This album is my favourite and I cannot get enough of it. For me it is almost like a one long song, balancing between jazz and library sound, kind, emotional, atmospheric, peaceful but never boring. A remedy for stress and anxiety. Hire someone to flip the record, lean back and enjoy. Or just turn on repeat cause this record aint cheap.

I like the different voices you hear singing the different songs. For me it’s a bit repetitive sometimes. Some of these songs stuck in my head for days ! I like the inclusion of horns, the soul inspirations and the groovy bass lines.

So sad that she was only 40 years old in this album. Her voice is almost like a 70 year old, but it still manages to burst out all of these heartwarming and heartbreaking tunes. Even more sad that she died one year later, which makes this album even more sentimental and almost tragic to listen to. However, there still is a bit of warmth and comfort in her voice, which makes this album even more magnifiscent to me.

I know it should be higher according to everyone else but for me it’s just an amazing album that has a lot of things I like. Big swings huge arrangements and classics. For me I just can’t get into 30% of the thing. That kind of soda pop soul r&b is not my thing.

Classic genre defining album. Changed my childhood and all music to follow.