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Listened to this album and little else for 3 straight months Still not sick of it

Stones could do no wrong during this era

Pavement is a dream

Listening to this during a late night drive is magical

Discovered Zaho through her brillant performance at the Cannes film festival. Her album became my soundtrack of summer 2025. Saw her live twice, both times a brillant performance where she transforms her chansons into dancefloor material.

I imagine a sidequest on Red Dead Redemption 2 with this dude.

Movements are back man. I listened to all of the singles from this album all the way up to release so I was very worried that the songs and the sound were going to get stale for me. But I'm so happy with the new tracks and the sound of this album just hits way harder. The title track provides that Emo whine that I love to hear from newer bands, "Everyone I've Ever Been" is such a beautiful song. Can't forget about the first single "Dissolve Me" which is definitely in my top songs of the year. This album just showcases that Movements can do better than "Feel Something" and boy oh boy do I feel somethings after listening to "Happier Now."

I have been patiently waiting for TODAY!!! thankfully I was able to listen to it a little earlier tonight and I have to say, it’s everything I thought it would be and more nicky c I am so immensely proud of you man

Banger after banger. I would argue an album to compete with amaerican idiot

Lyrical genius at work

Intense and lovely.

Este Álbum es una obra profundamente vulnerable, cruda y honesta que destaca como uno de sus trabajos más personales y polarizantes, Aborda abiertamente su diagnóstico de trastorno bipolar, autodesprecio y pensamientos oscuros, resumido en la icónica frase de su portada: "I hate being bipolar. It's awesome",con solo 7 canciones y unos 23-26 minutos de duración, se siente más como un diario íntimo.Al final, es un disco de transición. No busca ser una obra perfecta, sino un desahogo inmediato.

Dark, SLOW, haunting, Lynchy electrojazz from Germany.

9.5/10 — One of my favorite Herbie Hancock albums. So much fun, so purposeful, and incredibly enjoyable from beginning to end. Fat Albert Rotunda is one of those albums that reminds me why I love Herbie Hancock so much. It’s adventurous and musically sophisticated, but it never loses sight of the most important thing: it’s just ridiculously fun to listen to. What really stands out to me is how purposeful the entire album feels. Every instrument seems to have a role, every groove feels intentional, and yet nothing comes across as overly serious or self-indulgent. Herbie manages to pack the music with incredible musicianship while keeping it loose, funky, melodic, and completely accessible. I also love how much personality this record has. There’s jazz here, obviously, but there are also elements of funk, soul, and something almost cinematic about the way the music moves. It feels like Herbie is experimenting, but he’s always in control of where he wants the music to go. Most importantly, I can listen to this album from beginning to end and simply enjoy the hell out of it. There aren’t many moments where my attention drifts or I feel the urge to skip ahead. It has that rare combination of musicianship and pure entertainment that makes a great record so easy to come back to. For me, Fat Albert Rotunda belongs near the top of Herbie’s catalog. It’s not just impressive from a musical standpoint — it’s an album I genuinely love listening to. 9.5/10 — one of my favorite Herbie Hancock records. Fun, funky, purposeful, adventurous, and incredibly satisfying from start to finish. An absolute joy to put on and let play.

7.0/10 — An enjoyable, calming listen, but definitely not one of my favorite Roy Ayers albums. I’ve come to really appreciate how reliably enjoyable Roy Ayers’ music is, and He’s Coming is another good example of that. There’s a warmth and ease to this album that makes it incredibly relaxing to put on, especially when I’m looking for something that I can just settle into and let play. The thing I always come back to with Roy Ayers is how unmistakably his everything sounds. The vibraphone, the jazz and soul influences, the grooves — there’s a unique combination that gives his music a personality you can recognize almost immediately. Even when an album doesn’t completely grab me, there’s still something satisfying about spending time with it. That said, He’s Coming doesn’t hit me quite the way some of his other albums do. I enjoy it, and there’s plenty here to appreciate, but I don’t find myself reaching for it as often. Compared with the best of Roy Ayers’ catalog, it feels a little less essential to me. Still, a 7/10 from me for Roy Ayers is hardly a criticism. It’s a smooth, calming, enjoyable album from an artist whose music I consistently find myself coming back to. 7.0/10 — relaxing, soulful, and unmistakably Roy Ayers. Not a favorite, but absolutely an album I’m happy to have in the rotation.

It's a great album and confirms what I've already known. He is an amazing artist.

8/10 — Creative, bold, raw, and wildly entertaining. One of the more unexpected and exciting albums I’ve come across this year. Angine de Poitrine, Vol. 1 is one of those albums that caught me completely off guard. I wasn’t really sure what to expect going in, but it didn’t take long for me to realize that this was something different. It’s weird, creative, raw, and completely unapologetic — and that’s exactly what makes it so much fun. What I really like about this album is that it feels genuinely new. There’s an energy and unpredictability to it that kept me interested from beginning to end. It doesn’t feel overly polished or like it was designed to fit neatly into a particular genre. Instead, it feels like an artist taking chances and seeing how far they can push an idea. And honestly, sometimes that’s exactly what I want from music. Not every album needs to be perfect or immediately accessible. Sometimes I want something that surprises me, makes me laugh, makes me scratch my head, and ultimately makes me want to hear it again. That’s what Angine de Poitrine, Vol. 1 has done for me. The more I listen, the more I appreciate how bold and creative it is. There are definitely moments that work better for me than others, but the overall experience is so entertaining that I keep coming back to it. 8.5/10 — a wildly entertaining, creative, and genuinely original album. It’s raw, it takes chances, and most importantly, it feels like someone actually had fun making it. That makes it pretty damn easy for me to enjoy. Looking forward to seeing them in Philly in November.

8.0/10 — Another incredibly enjoyable Roy Ayers album and another reminder of just how unique his sound really is. There’s something about a Roy Ayers album that almost always works for me. I’ve yet to come across one that I don’t genuinely enjoy, and Daddy Bug is no exception. It may not be my absolute favorite of his records, but it’s another album I can put on and immediately settle into. What makes Roy Ayers so special is that his music never sounds quite like anyone else’s. There’s jazz at the core, but he effortlessly pulls in soul, funk, R&B, and groove without ever losing his own identity. And, of course, the vibes are unmistakable. That warm, melodic vibraphone sound gives everything he touches a character that is almost impossible to replicate. I also love how accessible his music can be without sacrificing musicianship. There’s plenty going on beneath the surface, but his records never feel like they’re trying to prove how sophisticated they are. They just groove. Daddy Bug has that same laid-back, soulful quality that makes Roy Ayers’ music so easy to live with. For me, that’s the real appeal of his catalog. I can put on almost any Roy Ayers album and know I’m going to have a good time listening to it. Some records hit me harder than others, but there’s a consistency and personality throughout his work that I really appreciate. 8.0/10 — another great Roy Ayers listen. His style is so distinctive and effortlessly cool that even when an album isn’t at the very top of his catalog, it’s still hard not to enjoy.

Songs of yearning, I love the tone and relaxed nature of this album. A beautiful listen.

Two to Six Supermix lives rent free in my head