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It was a nice surprise.

This is Wormland! And don't you forget it. Concept album that tells a story with some tremendous songs

I liked Suede in the 90's, but this album tops the lot. The album and Disintegrate in my top 5 of 2025

brilliant album, slow burner - more light and shade than I thought it would have and every track is worth listening to.

Just got this on vinyl, peak late night folk for the sad appalachian

Es una obra maestra imperfecta, cruda y profundamente fascinante que cambió la historia del rock alternativo y el emo,este segundo disco sorprendió con un sonido más oscuro, ruidoso y letras incómodamente honestas,Rivers Cuomo mantuvo su talento innato para crear ganchos pop inolvidables, incluso dentro del caos emocional habla mucho de inseguridades, el aislamiento y las frustraciones sexuales de Cuomo sin ningún filtro. Por eso pinkerton se convirtió en una obra de culto que poco a poco fue agarrando mas del agrado de las personas por es pinkerton es uno de mis albums favoritos.

Shiny, happy, beautiful music

Wonderful collection of songs by Jay Farrar. Great road trip album.

This album is always Home Sweet Home

8.5/10 — A real step forward from Vol. 1, and a more ambitious, structured, and musically satisfying record. If Vol. 1 was the introduction, Vol. 2 feels like the statement. It takes everything that made the first volume so creative, raw, weird, and entertaining and turns the dial up without losing what made it special in the first place. What really stands out to me is the progression. Vol. 2 feels more focused and intentional. There’s more structure to the songs, more going on musically, and a much stronger sense that these ideas have been developed rather than simply thrown against the wall to see what sticks. The result is an album that gives me a lot more to dig into. And that’s probably what I like most about it: it feels like a genuine evolution. This isn’t just Vol. 1 with a different tracklist. It takes the foundation of the first record and builds something bigger and more interesting on top of it. There’s still plenty of that raw, unpredictable energy that made the first volume so much fun, but now there’s a musicality underneath it that really grabs me. I find myself listening more closely, going back to certain tracks, and appreciating how much more layered the whole project feels. For me, this is where Angine de Poitrine starts to become more than an interesting experiment. There’s a real artistic identity developing here, and Vol. 2 makes me genuinely curious about where they can take it next. 8.5/10 — a significant step up from Vol. 1. More focused, more ambitious, more musically stimulating, and ultimately more rewarding. If Vol. 1 was the introduction, Vol. 2 is the record that convinced me there’s something really special happening here.

Wakefield’s ‘The Cribs’ remain one of the survivors of the noughties indie rush alongside ‘The Libertines’, but the brothers Jarman remained together over the years continuing to bang out great album after album. I mean, Jonny Marr doesn’t just join any band after a 2 year stint with The Cribs. Men’s needs is where the promise of the albums that came before all clicked on this one. Powerhouse opener ‘Our Bovine Public’ sets the tone and it doesn’t let up, with cult favourite live ‘Be Safe’ with Lee Ranaldo from Sonic Youth on spoken word duties. No filler on this classic.

Hometown (Swindon) post punk heroes third album where they really find their sound with new recruit Dave Gregory and it all clicks! Hugely influential to many bands since and Blur don’t have a career without XTC - you’ll be shocked how many bands stole from them but they could never steal the elite songwriting and craftsmanship the band had. Every album was an evolution and this one bangs.

8.5/10 — Another serious contender for my 2026 Album of the Year, and one I keep finding myself coming back to. Mutiny in Heaven is another one of those albums that completely caught me by surprise. Johnny Blue Skies has created a record that feels incredibly lived-in and authentic, blending country, rock, and Americana into something that feels both familiar and completely its own. What I love most about this album is how much replay value it has. I’ve listened to it quite a few times now, and instead of getting tired of it, I keep finding myself going back to it. There’s something about the songwriting, the musicianship, and the overall feel of the record that makes it easy to put on from beginning to end. It also feels like an album that rewards repeat listens. Songs that might not immediately stand out start to grow on you, and the more familiar I become with the record, the more I appreciate the little details and the way everything fits together. For me, that’s one of the biggest signs of a great album. It’s not just about how much you enjoy it the first time you hear it — it’s whether you still want to put it on weeks or months later. Mutiny in Heaven has definitely passed that test for me. At this point, it’s firmly in the conversation for my favorite albums of 2026. There are still plenty of albums left to hear this year, but this is one I already know I’ll be coming back to. 8.5/10 — another 2026 Album of the Year contender and a record that continues to get better the more I listen to it.

8.5/10 — One of my favorite new discoveries of 2026, and an album that seems to get better every time I listen to it. It Goes On was a completely new discovery for me this year, and it’s quickly become one of the albums I’ve enjoyed most in 2026. There’s something about it that immediately caught my attention, but the more I listen to it, the more I appreciate what Westside Cowboy are doing. What I like most about this album is how effortlessly it comes together. There’s a raw, youthful energy throughout the record, but it never feels forced. The songs are melodic, catchy, and full of personality, and there’s enough variety to keep the album interesting while still giving it a really cohesive feel. The biggest compliment I can give it is that it continues to grow on me. There are songs I liked when I first heard the album that I now love, and I’m still finding new things to appreciate with each listen. That’s usually a pretty good sign that an album has some staying power. It’s also one of those records that makes me want to hear the band live. There’s an energy to these songs that I think could translate incredibly well to a small or mid-sized venue, and I’m hoping to catch Westside Cowboy when they’re in Philadelphia in October. 8.5/10 — a great new discovery, one of the best new albums I’ve heard in 2026, and a record that keeps getting better the more I listen to it. Definitely an album I’ll be coming back to.

10/10 — Arguably the greatest hip-hop album of all time. A dark, flawless masterpiece that still sounds as powerful today as it did when it was released. The Infamous is one of those rare albums where everything just works. The production, the atmosphere, the lyrics, the chemistry between Havoc and Prodigy — it all comes together perfectly. It’s dark, gritty, raw, and unapologetically real, but there’s also something incredibly hypnotic about the entire record. What I love most about this album is the atmosphere. From the opening seconds, you’re dropped straight into the streets of Queensbridge. Havoc’s production creates this cold, haunting backdrop that somehow makes every verse hit harder. Prodigy and Havoc sound completely locked in, trading verses and painting a picture of their world without ever feeling like they’re trying too hard. And the consistency is unbelievable. “Shook Ones Pt. II” is obviously one of the greatest hip-hop songs ever made, but it doesn’t even feel like the album’s only masterpiece. “Survival of the Fittest,” “Eye for a Eye,” “Temperature’s Rising,” “Up North Trip,” and “Cradle to the Grave” are all incredible, and the album somehow maintains that same dark, tense energy from beginning to end. This is also an album that gets better the more you listen to it. There are layers in the production and lyrics that reveal themselves over time, and the chemistry between Prodigy and Havoc is something that’s incredibly difficult to replicate. It feels authentic in a way that very few albums ever have. For me, The Infamous belongs in the conversation for the greatest hip-hop album ever made. It’s one of those records that doesn’t just represent a particular era of hip-hop — it defines it. Nearly 30 years later, it still sounds dangerous, fresh, and completely unique. 10/10 — a flawless hip-hop classic and one of the greatest albums ever made. An album I can put on anytime, front to back, and never feel the need to skip a track.

Album and track names say a lot about the music. Meditative, airy, spiritual, modular ambient jazz with roots in Reich, Sanders, Eno and Spiegel.

Basic Channel on a little Persian hand drum.

Incredible album. Top notch songwriting, production, musicianship, and the songs are 🔥

Listened to new carissa’s weird ep and the title track has one tiny moment that reminded me so much of this album, listened to this album. Felt a lot. Have been crying to this since I was 7.

The ultimate ambient music album by the master.